册页

醉翁亭记册（第1页）

陈奕禧 · 清

作者

陈奕禧

年代

清

载体

纸本

馆藏

台北故宫博物院

年代详情

清代初期

尺寸

49.8x62

款识

款识：醉翁亭记。陈奕禧书。

著录

参考资料：故宫书画录（卷八），第四册，页19 参考资料：陈奕禧（西元一六四八－一七○九年），字六谦，又字子文、文一，号香泉，晚号葑叟，海宁盐官人。其诗得王士祯赞赏，书法深受康熙皇帝重视，故以贡生破格入直南书房。书法由董其昌入手，复参米芾，著意变化，圆润秀美，有「翰墨妙当代，海内翕然」之称，号「香泉体」。所书〈梦墨楼法帖〉曾于雍正年间（一七二三－一七三五）勒石，贮于内府。此作大字用笔沉著浑融，结体有欹侧跌宕之妙。(20120104) 参考资料：Chen Yixi (style name Liuqian, sobriquet Xiangquan), native to Yanguan in Haining, was praised in poetry by Wang Shizhen. His calligraphy was also deeply admired by the Kangxi Emperor, so an exception was made for him as a Tribute Student to enter the emperor’s Southern Studio. Chen started his study of calligraphy with Dong Qichang’s style, to which he added Mi Fu’s for variation. His round, smooth elegant style known as “marvelous in calligraphy now throughout the country” formed his “Xiangquan Style.” His “Calligraphy of Mengmo Tower” engraved in stone during the Yongzheng era (1723-1735) was stored at the court. The brushwork in large characters here is rich yet sedate, the characters slanted in a marvelously free and easy way.(20120104)