论书册（不全）高清图
论书册（不全）是中华珍宝馆收录的书法，作者：董其昌，年代：明。 董其昌《论书》册是其59岁时所作，共十四开，现藏于台北故宫博物院。此册展现了董其昌对书法艺术的深刻理解与独到见解，他运用楞严八还义来比喻书法理论，显示了其深厚的佛学修养与书法造诣。该作品不仅是研究董其昌个人书风演变的重要资料，也是中国书法史上极具价值的文献之一。（珍小宝撰文） 可在线欣赏论书册（不全）高清图并进行超高清缩放查看。
- 作者
- 董其昌
- 年代
- 明
- 年代详情
- 万历四十一年（1613年）
- 收藏机构
- 台北故宫博物院
- 著录
- 参考资料：石渠宝笈三编（延春阁），第五册，页2843 参考资料：故宫书画录（卷三），第一册，页123 参考资料：1.朱惠良，〈董其昌法书展简介 之 明董其昌论书〉，《故宫文物月刊》，第121期（1993年4月），页46。 参考资料：董其昌（西元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，谥文敏。天才隽逸，善书画，富收藏，尤精鉴赏。临摹书迹，至忘寝食。行楷之妙，称绝一代。此册作于万历四十一年（一六一三），董其昌年五十九岁。时距董氏辞官于湖广提学副使之任，已近七年。是年董氏于江南各处游历，四月下旬以羊毛画笔书此册，论书理，品书迹，评书家。其以楞严八还义喻书法之精采理论，即收录于此册。 参考资料：Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. By the time this album was written in April of 1613, when Tung was fifty-nine sui, close to seven years had passed since he resigned from the service of Vice Commissioner of Education in southern China. During this year, Tung traveled throughout the region south of the Yangtze river and composed this piece using a goat-hair painting brush. The essay discusses theories of calligraphy, appraises past works, and criticizes calligraphers.
- 释文
- 宋高宗赐太子兰亭帖手敕曰，学五百本，更易他帖。当时人主学书，至与寒士争功力乃尔。赵吴兴初师思陵书，今世传马夏画，多思陵题者，或云乐寿老人，皆高宗笔也。
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