临颜真卿书蔡明远序册（第1页）高清图

临颜真卿书蔡明远序册（第1页）是中华珍宝馆收录的书法，作者：董其昌，年代：明。此作品为明代书法家董其昌临摹唐代书法家颜真卿的作品《送蔡明远序》。全册共八开，每开尺寸为30.4厘米高、37.8厘米宽。作品以行书书写，体现了董其昌对颜真卿书法风格的研究与传承。疏淡脱俗的笔意展现了高超的艺术造诣，是研究董其昌及颜真卿书法的重要参考资料。（珍小宝撰文）可在线欣赏临颜真卿书蔡明远序册（第1页）高清图并进行超高清缩放查看。

作者: 董其昌
年代: 明
尺寸: 30.4x37.8
收藏机构: 台北故宫博物院
著录: 参考资料：石渠宝笈三编（延春阁），第五册，页2046 参考资料：故宫书画录（卷三），第一册，页99-100 参考资料：故宫历代法书全集，第二十四册，页30-47、143 参考资料：董其昌（西元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，谥文敏。天才隽逸，善书画，富收藏，尤精鉴赏。临摹书迹，至忘寝食。行楷之妙，称绝一代。本册作于崇祯七年（一六三四），董氏时年八十。该年春致仕，六月避暑松江东余山庄，七月临此序。序中多误字漏字更改词句者，皆董氏临书之特色。书风则于鲁公体势中参合大令笔法。董氏曾谓颜书惟蔡明远序尤为沈古，此册确能掌握颜字骨气沉稳之态势。参考资料：Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. This album was written in 1634, when Tung Ch'i-ch'ang was eighty sui. In the spring of that year, Tung retired from official life, and in June he took a summer vacation in the Tung-she mountain villa in Sungkiang. He copied this preface in the following month of July. The many mistakes and missing characters in this album and the alteration of words and phrases, are all special characteristics of Tung'free-copies. The style of the work adds Wang Hsien-chih's brush method to the force of Yen Chen-ch'ing's structure. Tung once said that Yen's preface was particularly archaic and sedate. This album clearly demonstrates Tung's grasp of the forceful stalwartness in Yen's characters. 参考资料：董其昌法书特展研究图录，页106-109、175-176
释文: 颜真卿的《蔡明远序》（或称《与蔡明远书》《报蔡明远帖》）是一封行书信札，内容主要表达对友人蔡明远雪中送炭的感激之情，同时展现了颜真卿在仕途困境中的真实境遇与高洁品格。

在线欣赏临颜真卿书蔡明远序册（第1页）高清图