临争座位帖高清图
临争座位帖是中华珍宝馆收录的书法，作者：董其昌，年代：明。 董其昌《临争座位帖册》是其晚年作品，代表了其书法艺术的巅峰水平。该作品以行草书书写，字体精雅而不失气韵，展现了董其昌深厚的书法功底和对唐代书法家颜真卿经典的致敬。他在临帖时强调‘参离合’的理念，即在形似与神似之间找到平衡，抓住原帖的精神实质进行意临，体现了他独特的艺术风格。此作品现藏于台北故宫博物院，尺寸为21.8x29.7厘米，具有极高的历史价值和艺术价值，对于研究董其昌及其书法艺术有着重要意义。（珍小宝撰文） 可在线欣赏临争座位帖高清图并进行超高清缩放查看。
- 作者
- 董其昌
- 年代
- 明
- 年代详情
- 崇祯五年（1632年）
- 尺寸
- 21.8x29.7
- 收藏机构
- 台北故宫博物院
- 款识
- 时年七十有八。
- 著录
- 参考资料：石渠宝笈初编（养心殿），上册，页484 参考资料：故宫书画录（卷三），第一册，页100 参考资料：董其昌（西元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，谥文敏。天才隽逸，善书画，富收藏，尤精鉴赏。临摹书迹，至忘寝食。行楷之妙，称绝一代。 他对争坐位帖极为倾倒，尝推许为颜书中最烜赫者。曾将所藏此帖关中本，刻入戏鸿堂帖中，并于晚年一临再临，其临本仅本院收藏即已有三本，其书风正如董氏所谓：「于郁屈瑰奇之中，自具柔情卓绰约态。」 参考资料：Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time.Tung was extremely fascinated by the cheng-tso-wei-t'ieh and of ten praised it as being Yen Chen-ch'ing's most magnificent calligraphic work. He once included the Kuan-chung version of the cheng-tso-wei-t'ieh in the blockprint of the Hsi-hung-t'ang-t'ieh. Later in his life he wrote copy after copy; the National Palace Museum alone has three copies. The style faithfully resembles what Tung himself described as, "while characterized primarily by grandiose strength, (my calligraphy) can also be delicate and gentle."
- 释文
- 临颜鲁公争坐位帖真本。董其昌。时年七十有八。
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